The Movie Page

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One devastating home movie
As the floodwaters rose in New Orleans, "street hustler" Kim Roberts turned on her camera -- and captured a story more thrilling than any Hollywood blockbuster
Portrait of the artist as a fallen angel
Indie hero Azazel Jacobs talks about casting his own parents -- and their eccentric, amazing New York apartment -- in his entrancing breakthrough film "Momma's Man"
The Rocker
Is this comedy about a heavy-metal wannabe a Gen X rock 'n' roll fantasy?
"The obscenity is in the head of the audience"
A French master's farewell to love
Eric Rohmer's pastoral Renaissance fantasy, "The Romance of Astrea and Celadon," couldn't be a weirder, or lovelier, way to say goodbye
Star Wars: The Clone Wars
George Lucas fills in the "Star Wars" blanks with an animated tale that may make more sense than his live-action films
Scarlett and Penélope do Barcelona
But can a sapphic love scene between Scarlett Johansson and Penélope Cruz make the legendary director seem relevant again?
An actress cut in two
French sex symbol Ludivine Sagnier on passion, perversion and her new film "A Girl Cut in Two." (Please, don't call it a porn movie)
See Tarantino's next movie right now (sort of)
Eager to catch the ultraviolent WWII shootout "Inglorious Bastards," loaded with blaxploitation beefcake and naked chicks? Come on over!
Tropic Thunder
Robert Downey Jr. gives the most enjoyable performance of the year in this near-genius satire of Hollywood excess and vanity
Do you suffer from blockbuster fatigue?
As the summer movie season drags on, it's time to ask whether there's a limit to how much hype we can take
Is torture an Olympic event?
After 33 years of abuse and imprisonment, one Tibetan monk says no to the Beijing Olympics -- and to the Dalai Lama's accommodation with tyranny
Elegy" for a topless bombshell
Penélope Cruz gets art-history naked and Ben Kingsley is diamond-brilliant in an overly pretty film adaptation of Philip Roth's "Dying Animal"
The art world's Pepsi Generation
"Beautiful Losers" chronicles the art rebels of the '90s, fueled by punk, skateboarding, graffiti and trash culture. Now brought to you by Nike!
Jesus died for somebody's sins ... but not hers
A dazzling, dizzying documentary -- 12 years in the making -- captures an extraordinary portrait of the female rock legend's second act
The Sisterhood of the Traveling Pants 2
Watching teenage girls acting like teenage girls is way better than watching grown women acting like teenage girls. (We're talking to you, "Sex and the City")
Pineapple Express
Judd Apatow's stoner comedy is probably funnier if you're totally baked
It all started with the Germs
A loving, low-budget film tries to revive the undead spirit of Darby Crash and the Germs, L.A.'s anarchic punk pioneers. But some things aren't easy to resurrect
The stolen election of 2004: Chapter 53
"Stealing America" airs out the same old questions (and conspiracy theories) about the murky Bush-Kerry election. But it avoids the really scary stuff
The Mummy: Tomb of the Dragon Emperor
Peel back the extravagant layers of this summer blockbuster and what do you find?
Swing Vote
Kevin Costner holds the fate of the U.S. in his hands in this surprisingly nuanced picture
Up all night with a psycho blonde
Screwed-up strangers hook up for a last-minute New Year's date in the profane and delightful "In Search of a Midnight Kiss"
Double-wide dreams
Courtney Hunt on her Sundance-acclaimed, slo-mo rural thriller "Frozen River" and making an indie film even action-movie fans can love (interview/podcast)
Nostalgia for the Bush era
Oliver Stone's "W." has people excited -- no, really! Plus: Aronofsky vs. "Robocop," gals conquer Comic-Con, and Arab cinema's greatest voice falls silent
Walking on air
Twin towers wire-walker Philippe Petit and "Man on Wire" director James Marsh talk about taking risks and making magic in troubled times
Black and white in color
This arch, acute and haunting documentary about the last bastion of segregation in Mobile, Ala., might be the nonfiction film of the year
Brideshead Revisited
No expense has been spared in this lavish, streamlined adaptation, but is there such a thing as too much good taste?